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Custom Shop Muff Sound
The Muff Sound is based on the early ‘Rams Head’ Muff fuzz with the addition of a variable ‘Mid’ control, using the same distinctive model transistors used in the original to reproduce the lower compression characteristic of this pedal. Unlike the typical hugely scooped tone associated with the Big Muff circuit, the original Rams Head […]
FS301LJ Footswitch
3-button footswitch for Hiwatt UK Designed amplifiers. Usable with Crunch, Leeds, and Tube Series amplifiers with channel-switching and reverb functions.
Universal FS200LJPB Footswitch
2-button pedalboard-friendly footswitch for any compatible TRS amplifier.
FS203LJ SUPER-HI Footswitch
2-button footswitch for Hiwatt UK Designed Super-Hi Amplifiers. Controls channel switching and Super-Hi boost toggle.
FS202LJ Hi-5 Footswitch
2-button footswitch for Hiwatt Hi-5 Amplifiers. Controls channel switching and boost toggle.
FS201LJ Footswitch
2-button footswitch for Hiwatt UK Designed amplifiers. Usable with Crunch, Leeds, and Tube Series amplifiers with channel-switching and reverb functions.
FS101LJ Footswitch
1-button footswitch for Hiwatt UK Designed amplifiers. Usable with Crunch, Leeds, and Tube Series amplifiers with channel-switching and reverb functions.
CUSTOM SUPER-HI Footswitch
Two button footswitch for the Custom Super-Hi 50 – switches between Gain/Master 1 & 2 and channel independent ‘Super-Hi’ Boost. Uses standard 1/4 TRS cable for connecting to amplifier (not supplied) and self-supplies power for LEDs. Handwired in our Custom Workshops alongside our other great Custom product range.
CUSTOM Studio/Stage Footswitch
Two button footswith for the Custom Studio Stage amplifier series. Switches Gain Boost and Reverb on and off. Uses standard 1/4 TRS cable for connecting to amplifier (not supplied). Footswitch requires power via battery or 9v power supply for LED indicators, but can also be used without power. Handwired in our Custom Workshops alongside our […]
Custom Shop Supa Sound
Marshall’s Classic early fuzz circuit which famously offers ‘more bass’ than its close contemporaries, for a thicker sound. In the late 60’s and 70’s players would often go through dozens of fuzz pedals to find a unit biased to their liking or intended use. With the addition of a Transistor Bias control, today’s player can […]