Latest

DR405 Head

The DR401 is a rare beast – for those situations where you just can’t get enough headroom! A sextet of KT88 valves provide huge low end, incredible transients, and sweet highs. Unlike its 200 watt brother, the DR401 uses the preamp section from the DR103 for a distinctive Hiwatt flavour. Available as a limited built-to-order […]

SB-412

The difference between sounding good and sounding great might just be your Speaker Cab. Often overlooked but just as important as a great amplifier and guitar/bass, is the Cab you are playing through. Historic Park construction methods and dimensions can withstand decades of touring. Park Cabinets are Engineered to resonate ‘in all the best ways’, […]

SB-112

The difference between sounding good and sounding great might just be your Speaker Cab. Often overlooked but just as important as a great amplifier and guitar/bass, is the Cab you are playing through. Historic Park construction methods and dimensions can withstand decades of touring. Park Cabinets are Engineered to resonate ‘in all the best ways’, […]

S1-212 (Angled Grill)

The difference between sounding good and sounding great might just be your Speaker Cab. Often overlooked but just as important as a great amplifier and guitar/bass, is the Cab you are playing through. Historic Park construction methods and dimensions can withstand decades of touring. Park Cabinets are Engineered to resonate ‘in all the best ways’, […]

P50B Super Bass (1968)

Originally built to handle bass but often favoured for guitar by artists like Billy Gibbons from ZZ Top, the Super Bass was Jim Marshall’s first amp which used a solid state rectifier. As well as the solid state rectifiier, the Super Bass also features slightly higher filtering giving a more immediate and ‘tighter’ playing feel […]

P45 Classic (1964-66)

For Artists and players looking for classic Blues and rock guitar tones, the Park P45 is a fantastic choice. This classic Jim Marshall circuit built off of the original Fender Tweed Bassman has been heard on many of the most influential recordings from the mid- sixties up to the present day. A pair of KT66 […]

P18LH | Park ‘Little 45’ Head

The Park Little Head is based on the early plexi Parks P45 (the famous Bluesbreaker circuit). A studio recording artists ‘tone chasing’ dream amp. It is capable of beautiful, sparkling clean tones, overdriven Blues – from a hint of overdrive to full-on overdrive, and classic rock tones. Based off of the original Park circuits by […]

P50 Classic (1966 Black Flag Plexi)

The Park P50 circuit with tube rectifier and EL34 power tubes is ‘Warm but aggressive’ (Warmer tube saturation and tighter filtering than the original P45). Legendary EL34 power tubes add colour, and focus in the mid frequencies, while a tube rectifier provides a bit of ‘squish’ or compression when the amp is pushed. The Park […]

P75 Classic (1969)

When the situation calls for a classic and you are tonally craving ‘more of everything Jim Marshall’ the Park P75 is the obvious choice. InspiRed by the original Fender Tweed Bassman circuit (as were the early Park 45’s and 50’s) – the Park 75 pushes this format to the limit providing 50 watts clean and […]

P50M

The Park P50M is the first split cathode amp by Jim Marshall allowing channel one to be significantly brighter and cut through the mix – a small change to a classic design with really big results. Increased filtering added a more immediate player response and a stiffer feeling from the power section. This circuit went […]